Le Pétrole en gros ne Peignant pas de Minimum

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Guy Rose The Model oil painting reproduction

Guy Rose
Le Modèle
The Model
ID de tableau:: 4351

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1919
1919

Sir William Orpen The Model oil painting reproduction

Sir William Orpen
Le Modèle
The Model
ID de tableau:: 26476

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mk501911
mk50 1911

Guy Rose
Le Modèle
The Model
ID de tableau:: 36034

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kr01 c. 1919 Pétrole surle canevas 24x20inches
kr01 c.1919 Oil on canvas 24x20inches

Francis Campbell Boileau Cadell The Model oil painting reproduction

Francis Campbell Boileau Cadell
Le Modèle
The Model
ID de tableau:: 39359

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mk147 c. 1912 Pétrole sur le canevas 127.2x101.6
mk147 c.1912 Oil on canvas 127.2x101.6

Guy Rose
The Model
ID de tableau:: 78321

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1919(1919) Oil on canvas cjr

Guy Rose
The Model
ID de tableau:: 81532

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1919(1919) Medium Oil on canvas cyf

Jose Ferraz de Almeida Junior The model oil painting reproduction

Jose Ferraz de Almeida Junior
The model
ID de tableau:: 98006

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oil Dimensions 46 x 38 cm cyf

Jose Ferraz de Almeida Junior
(8 May 1850 - 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira violeiro , the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiete River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. In 1877 he was already enrolled in the School of Fine Arts in Paris. He took part at the Salon de Paris with several works of art in 1879 (Retrato do Dr. Jose de Magalhães), 1880 (O Derrubador Brasileiro) and (Remorso de Judas), 1881 (Fuga para o Egito) and 1882 (Descanso do Modelo) He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.
The model
oil Dimensions 46 x 38 cm cyf

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